This post is a "reprint" of a post I made on my old author blog (since abandoned). I'll probably be slowly moving any older posts I see as having value/interest over to this platform over the next few weeks/months, so if you have been following me long enough to know about hlburkeblog.com as well as this site, I'm sorry for any repeats.
This one came up in a recent online discussion, so I'm starting with it.
Why So Many Good Dragons?
I don't blog/talk about religion much. While I don't think I've hidden the fact that I'm a Christian ever, I don't write Christian fiction because I find the expectations of that market to be too restrictive. I also don't feel I've ever been given a good "salvation" story, and while I might lightly touch on spiritual themes from time to time, I'm not going to force messages into my tales which I see as just "stories."
That said, a bit ago my friend linked me a blog post by a Christian fantasy author who thought the turn from "evil dragon" fiction to "good dragon" fiction was an ominous sign. Her logic was partially that because dragons are used to describe the devil in a couple of places in the Bible, dragons must always represent evil.
I have heard this argument before, and while I don't feel qualified to give it a major theological breakdown, my personal take is the following:
Yes, the dragon was used to describe the devil ... but so was a lion (the enemy is a roaring lion), yet lions aren't evil demons.
They can even be tamed to an extent and have been used as representations of Christ. So either the Bible is inconsistent about lions ... or it is a metaphor and people can separate the aspects of a lion that are majestic and powerful from the fact that it is also a predator that can eat your face without demonizing what is essentially a dumb animal that really doesn't fit into theology as anything but a symbol.
I feel the same way about dragons.
So I think dragons are fair game whatever your theological/religious background.
However, there has been a definite shift from "eat your face" dragons to "let's ride the dragons/free the dragons/love the dragons!"
What is it about the modern age where dragons are no longer horrifying monsters but instead majestic creatures worthy of admiration?
I am not going to claim to have any sort of academic basis for this, but just my observations lead me to believe the shift is based on cultural changes, not necessarily bad ones, in how we relate to our world and how our world relates to us.
Dragons Represent Nature:
To me this is the biggest reason why we no longer fight dragons. Though intelligent dragons and even dragon governments aren't unheard of, the dragon of lore is essentially a beast. A powerful, predatory beast (you don't find many vegetarian dragons), but a beast still. This essentially makes it a force of nature.
For much of human history, people have felt bullied by nature. We were at the mercy of the weather, of crop failure, and of the teeth of the wild creatures of the forest. After all, humans are soft and squishy and taste good with ketchup. It took the invention of modern guns to tip things in our favor (which led to us getting carried away and the extinction of some species).
So we no longer fear nature as we used to (because of our machines, our ability to predict weather, because we only see vicious animals behind cages and on Animal Planet).
In fact, I'd say that most modern humans feel detached from nature and long to return to a place of communion with it.
Add this to the ecological messages of the 90s movies a lot of modern writers grew up on, and it's really no surprise we identify more with heroes who protect animals rather than hunt them.
Dragons and Damsels
Another reason for the shift is traditional dragon stories are closely tied to the DiD (Damsel in Distress). Dragons kidnap, eat, and imprison maids (princesses, mostly, but not all are that particular). Knights fight dragons and rescue maids.
This tried and true trope gives us two separate but equally important reasons for the shift.
Our current literary climate prefers a "reverse trope" to the old standard. So much that it has in itself become a trope.
Readers now expect female leads to pull their own weight and be more than pretty princesses.
While sometimes this means they fight the dragon on their own, generally we end up seeing the dragon and maid fight against the society that treats one as a monster and the other as a possession.
And I'm really fond of this reversal. I used it for my most popular set of books (The Dragon and the Scholar Saga). In some way it has become a trope of its own, so I wouldn't be surprised if we see a trend away from it as evil dragons become less common and therefore more "original" than friendly dragons again.
The Shrek Effect
Another reason, and one that I think is a good thing in a lot of ways, is the trend away from physical beauty=good.
There has always been a theme to fairy tales of loving the unlovable (be it a literal Beast or a homely princess) being transformative magic. The girl loves the Beast or kisses the frog (or slams it against the wall. Ah, Fairy Tales ...), and suddenly he's a handsome prince.
However, outward beauty being good is too "easy" and not reflective of how the world in general really works.
I'm sure we've all known people in our lives who were beautiful to look at but nasty to be around as well as plain sorts who could light up our lives with their spirits. When Christ came to earth, there is reason to believe that, physically, he wasn't much to look at (Isaiah 53:2).
The reason I call this the "Shrek Effect" rather than the "Beauty and the Beast Effect" is because (while it is not by any means a great movie in my humble opinion. I wouldn't call myself a fan.) unlike the traditional tales where true loves kiss turns the ugly prince into something more visually appealing, Shrek made (and if someone can give me an example of this before Shrek, I will happily rename this "effect") the somewhat bold choice of having the kiss make Fiona an Ogre, physically unappealing, but beautiful in the eyes of her beloved.
We can't help our looks. Sure we can diet, slather on makeup, get plastic surgery, but all that while not necessarily evil (Well, plastic surgery isn't something I'm a big fan of, but I can think of extreme cases where it would improve someone's quality of life) doesn't address the root problem which isn't with the "ugly" so much as with the need of society to put labels on something and give it value just because it looks a certain way. I use "it" rather than "he or she" here because it isn't just people. It's produce (there is so much food waste because food doesn't meet an aesthetic standard) ... pets (try to be an ugly dog in a shelter sometime) ... and yes, people.
And the modern world tries to pretend to be all open-minded about this, but really, we're not. We're still airbrushing models and throwing out asymmetrical apples ... (editorial note: I've since become a little more educated about the ugly food business and food waste in general since writing this original post, and I don't think the ugly apply thing holds up as well with the reality of the industry, as it can often have to do with packing and shipping as much as aesthetics, but I am feeling too lazy to research another parallel at this point).
So yeah, I'm all in favor of the Shrek Effect because in real life, love does not remove scars or shed pounds. We may like the idea of true love's kiss making us drop dead gorgeous, but it's not how the world works, and it's not even what we should hold up as an ideal. True love sees past those things ... and while that being a physical change can be seen as a nice metaphor, the true change is always going to be on the inside.
And if this means that we sometimes embrace a "loathsome dragon" so be it.
Dragons, like any creature that exists mainly in our imagination, are going to reflect our view of the world, of other people, and even ourselves. They're an outward projection of what we crave ... or what we fear.
So those are three reasons why I think we've seen a shift away from the evil dragon.
Honestly, none of them herald the end of morality. There are even some signs of positive growth (and it's easy to get on the "our generation is so much better than past generations" high horse ... I'm not saying we've really improved, just that we've traded in our old, well-worn faults for new shiny ones).